Welcome to the Cyzer Gallery

Established in Mayfair in 2002, we specialise in Post-War and Modern Art with an emphasis on the acquisition and sale of private works of the highest quality.

Whilst Picasso, Miró and Léger are the artists most frequently traded, we offer quality works by Chagall, Dubuffet, Calder, Braque and Soutine.

We also focus on German Expressionism and Abstract Expressionism with fine examples of works by German and American Masters.

Victor Brauner 

Sans titre (Tete de Femme), 1955 
Oil on canvas 

 Signed top left with initials: V.B. Dated lower left and right: 11.III.1955 
13 x 9.5 inches / 33 x 24 cm 

 Provenance
Estate of the artist

This painting is accompanied by a certificate of authentication
kindly issued by Samy Kinge, dated 5 May 2017 
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Giulio D'Anna 

Chitarra scomposta + squadra e righello, c. 1930 
Oil, wood and sackcloth collage on board 

Signed lower right: G. D’ANNA 
19 ¾ x 15 ¾ inches/50 x 40cm 

 Provenance
 Private collection, Italy 

 This painting is accompanied by a certificate of authentication kindly issued by the Archivio Storico Dei Futuristi Siciliani, Palermo 
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Grace Hartigan 

Wedding Day, 1965 
 Oil on canvas
 
Signed and dated lower right: Hartigan 65 
Signed, titled and dated on the reverse: ‘Wedding Day’ Hartigan 65 
70 ¼ x 50 inches / 178.4 x 127cm 

Provenance 
Private Collection, New York Christie’s, New York, 15 November 2012, Lot 151 
Private Collection, New York 
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Jeanne Mammen 

 Lesender Knabe, c. 1943-45
Tempera on cardboard 
 
Signed upper right: J. Mammen 
39 ⅜ × 27 ½ inches / 100 × 70 cm 

Provenance 
 Private collection, Germany 

 Exhibitions
Stuttgart, Galerie G. A. Richter, Jeanne Mammen, 1974 

 Literature
Marga Döpping and Lothar Klünner, Jeanne Mammen 1890 – 1976,
Monographie und Werkverzeichnis
, Koln, 1997, no. G 114 
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André Lanskoy 

Sans Titre (Le repas), c.1930s
Oil on canvas

Signed upper right: Lanskoy 
21⅜ x 25 inches/54 x 64 cm

Provenance 
Private collection, France 

 The authenticity of this work has been kindly confirmed by the Lanskoy Committee and will be included in the forthcoming Catalogue Raisonné of the works of André Lanskoy currently in preparation 
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Le Corbusier
(Charles-Edouard Jeanneret)


 Femme au guéridon au mannequin et au chat
(portrait d’Yvonne Gallis, la femme de l’artiste), 1928
Indian ink, watercolour, gouache, collage and graphite mine on paper 
 
Signed and dated lower right: le Corbusier 1928 
 23⅞ x 16. inches / 60.5 x 41.8 cm 

Provenance 
 Private collection, Paris 

 This painting is accompanied by a certificate of authenticity kindly issued by Eric Mouchet, dated 4 March 2017, no. 17-010 
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Fernand Léger 

La Grande Parade, étude, 1953 
Brush and ink and gouache on paper  

 Initialled and dated lower right: F.L. 53 
19¾ x 25¾ inches / 50.2 x 65.4 cm 

Provenance 
Nadia Léger, Paris 
Musée national de Fernand Léger, Biot (acquired by 1967) 
Nissenbaum Collection (and sold: Sotheby's, London, April 4, 1979, lot 270) 
Waddington Galleries, London (acquired at the above sale) 
Private Collection, California 
Galerie Beyeler, Basel 
Private Collection, London 
Pace Gallery, New York 
Vivian Horan, New York 
Mitchell-Innes & Nash, New York 
Acquavella Galleries, New York 
Private Collection, New York (acquired from the above on May 12, 1988) 


Exhibited 
Tel Aviv, Tel Aviv Museum, Léger, 1967, no. 55 
Baden-Baden, Staatliche Kunsthalle, Léger, 1967, no. 94, illustrated in the catalogue 
Paris, Grand Palais, Léger Retrospective, 1971-72, no. 262 
Basel, Galerie Beyeler, Léger 1881-1981, 1981, no. 67, illustrated in color in the catalogue 
Madrid, Fundación Juan March, Léger, 1983, no. 94, illustrated in the catalogue 
New York, Barbara Mathes Gallery, European Modern Masters, 1983-84, n.n. 
New York, Acquavella Galleries, XIX & XX Century Master Drawings and Watercolors, 1988, no. 23, illustrated in the catalogue 
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Marino Marini 

La Grande Parade, étude, 1953 
Gouache, watercolour and pen and ink on paper 

Signed and dated lower right: Marino 1952 
24⅜ x 16⅞ inches/ 62 x 43 cm 

Provenance 
Anon. sale, Paris, Pierre Bergé & Associés, 10 December 2002, lot 49 
Purchased at the above sale by the previous owner 

 This painting is accompanied by a certificate of authentication
kindly provided by La Fondazione Marino Marini. 
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Julian Opie 

Ed, Foot Hold, 2008 
Vinyl on a wooden stretcher 


Signed on the stretcher: Julian Opie 
59⅜ x 73½ inches/ 150.8 x 186.7 cm 

Provenance 
Lisson Gallery, London (acquired directly from the artist) 

Exhibited 
London, Lisson Gallery, Julian Opie, October- November 2008, illustrated in colour, unpaged 
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Pablo Picasso 

Trois nus, 1964 
Graphite and crayon on paper 


Signed and dated lower right: 26.5.64 Picasso III 
20½ x 29 ¼ inches / 52 x 74 cm 

Provenance 
E.J. Korvette Gallery 
Private Collection 
Constance Kamens Fine Art, New York 
Private Collection, New York 

Literature 
 Christian Zervos, Picasso, Paris: Editions, Cahiers d'art, 1971, vol. 24, no. 184, illustrated on p. 68
The Picasso Project (ed.), Picasso's Paintings, Watercolors, Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973. The Sixties II: 1964-1967, San Francisco
CA: Alan Wofsy Fine Arts, 2002, no. 64 - 180, illustrated in black and white p. 54 
Hélène Parmelin, Picasso: Intimate secrets of a Studio at Notre-Dame-de-vie, New York, Harry N. Abrams, 1966, illustrated in colour p. 119 

 This work is accompanied by a certificate kindly issued by Claude Ruiz-Picasso dated 28 November 2013. 
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William Somerville Shanks 

Irises in a Vase, with Flowers and a Book to the Side, circa 1910-1915 
Oil on canvas 


Signed lower right: W.S. Shanks 
30 ¼ x 25 ⅛ inches / 76.8 x 64.2 cm 

Provenance 
Private Collection, UK 
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